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It is an adaptation of the Charles Dickens classic A Christmas Carol, featuring Scrooge Mc Duck as his namesake and inspiration Ebenezer Scrooge and Mickey Mouse as Bob Cratchit.
This film was based on a 1972 audio musical entitled Disney’s A Christmas Carol.
Two celebrities are unprepared for the surprise demands of pregnancy; hormones wreak havoc on a baby-crazy author, while her husband tries not to be outdone by his father, who’s expecting twins with his young trophy wife; a photographer’s husband isn’t sure about his wife’s adoption plans; a one-time hook-up results in a surprise pregnancy for rival food-truck owners.
Henry Hobson owns and tyrannically runs a successful Victorian boot maker’s shop in Salford, England.
But it’s hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation.
Victor Maynard is a middle-aged, solitary assassin, who lives to please his formidable mother, despite his own peerless reputation for lethal efficiency.
Included are a blind butler, a deaf-mute maid, screams, spinning rooms, secret passages, false identities and more plot turns and twists than are decently allowed.
Scrooge Mc Duck, his dimwitted pilot Launch Pad, and his newphews Huey, Dewey and Louie, with Webby, arrive in Egypt where Scrooge finds the lost treasure of Collie Baba, unbeknownst to Scrooge, a magic lamp was included inside the treasure, so while the nephews have fun with the genie, they all have no idea that they’re being stalked by a power hungry sorceror named Murlock and his dimwitted thief.
When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation.
Larenz Tate and Nia Long deliver performances as understated as the film's smart jazz and R&B soundtrack -- their approaches give their characters dimension and depth.
But make no mistake -- this film offers elements of entertainment and political correctness in director Theodore Witcher's offering of multi-layered African-American characters.It's sure to spark equally passionate discussion, and that's always a good thing.