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In a violent scene, after Mac Iver was picked up at a bar by Leikman, his detestation of homosexuality caused him to kill Leikman and then take his own life. In one overwrought sequence (narrated with a cynical voice-over) now seen as repugnant, a middle-aged tormented homosexual Colin Mac Iver (William Windom) went to the grungy and dark waterfront docks in search of homosexuals, where he found sinister-looking individuals lounging around and snuggling:"The thought of turning, turning involuntarily into one of them frightened me and made me sick with anger. I couldn't stop."As in a number of similar films in the 60s, the homosexual character met a terrible fate.[Note: Later in the film was a view of the two males peacefully sleeping in the same bed together.]In another scene, Mick and friend Wallace went joyriding on a stolen motorcycle during a truant day from school.In the Packhorse Cafe coffee-shop, Mick rudely flirted with an unnamed waitress, the Girl (Christine Noonan), and she slapped him across the face for stealing a kiss.The scene ended when Jon stepped into the frame and joined her in bed.In the black and white film, a love triangle developed between a woman and her husband (a young, middle-class Bohemian couple in a conventional marriage), and one of his friends who lived with the couple.In a fantasy sequence, she came up behind him at the jukebox and animalistically taunted him: He contemplated kissing her, but was fearful of getting too close, during their ritualistic mating (using the metaphor of two tigers); their love-making was accompanied by growls, sniffs, clawing, swipes, hissing, and biting - suddenly, they appeared totally naked as they rolled around and wrestled each other on the floor.
There was a teasing joke about Barbarella experiencing traditional or "old-fashioned" physical-penetrative copulation instead of the latest virtual sex (consumption of exaltation transference pills). It also featured transvestite drag queens (i.e., Candy Darling and Jackie Curtis in their film debuts), exotic strippers (including sexploitation actress, "super groupie" and stripper Geri Miller - before breast implants), fellow hustlers and johns.
The title character also made love with the aid of a gigantic 'orgasmatronic' type machine (an organ of love) - and was sentenced to death by multiple orgasm (delivered by the 'Excessive Machine'). It may change your tune as well." Barbarella: "Oh goodness, what do you mean? He also spoke to ex-girlfriend Terry (Geri Miller), a stripper who announced that she was considering breast implants to help get more customers ("I know they're too little, especially for dancing topless"). Director/co-writer Brian De Palma's third feature film (and his first major film) was an episodic, improvisational anti-war (and anti-military) satire of late-1960s events, manners and mores among the 'under-30' counter-culture.